Category Archives: light painting

The Barrel Room

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Todays image is another from my series taken at an old mill, and features a room full of old wooden barrels, along with a variety of tools used by the mill in its heyday. The round stone, serving as a table in the foreground weighs 2000 lb and is not going to move anytime soon. The image was shot using deer spotlights that I have placed diffusion on to soften the light output, and each exposure was approximately 30 seconds in an almost totally dark room. The windows were covered with black fabric to block the outside light from having any influence on my light painting, and were uncovered at the end to get the window detail. The lanterns were lit only by my spotlights to give a glowing effect. Because the spotlights are so intense, I use a technique where I pulse the trigger on briefly ,then off and keep moving across the scene till the shutter closes. A half second worth of spotlight is all it takes to light an object at f11 or f16 at iso 200. I also use a fairly inexpensive wireless remote to fire the camera from across the room, so I never touch the camera once I get started.

Antique Biscuit Box & Tins

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Once again, thanks to the generosity of many people I meet, I am lucky enough to be allowed to photograph items that are a part of their lives, and at the same time, express my creative side through my photography. Sometimes these people own things that are so cool, I just have to ask if I can photograph them. The antique biscuit box and old tins shown here are one such example. Owners Margi and Dan have quite a selection of quality antiques they sell, and they were more than happy to let me capture some that have a personal connection. The grained wood box supporting everything is a family heirloom from the 1800s, many of the tins are early 1900s and were found in old general stores. Margi’s great great uncle was Newton Graybill who operated an old general store until the mid 1900s in Richfield,Pa, and in the late 1980s, a huge public sale was held featuring countless new merchandise items from the 1900s. Margi was able to buy several items from that sale. The old calendar reads 1922, and the american lady shoe sign is early 1900. finishing off the image is a door that is original to the house from around 1790. I light painted the whole scene with deer spotlights that have snoots and diffusion that I added to control the power they have. I use many types of flashlights and flash to do this,but I favor my spotlights the most. small items need more subtle flashlights, so its good to have a variety.

A glimpse back in time

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This photograph features the old equipment in a water powered grain mill. This amazing set of machines are still functional, and start right up with the twist of a shaft, which runs two stories to the basement. In the basement there is a huge tank that holds water in reserve, and at a moments notice, the entire operation is ready to go.The date on the machines says patent-1893, and the craftsmanship and build quality is characteristic of an era were necessity was the mother of invention,  This is another example of painting with light, and the photography session lasted almost 2 hours and the merging of all the pieces took about 3 hours, but I go in circles sometimes trying to decide which effect I want to pick, so that complicates things a bit. As I have warned in past posts, never bump anything in your shot while doing this, and as usual, I kicked the shovel halfway through, but luckily I had it captured already. Try and find something built to these standards nowadays, and you will be looking a while or digging pretty deep in the pocketbook. The two lower photos represent the base layer on the left, upon which the image is built and that image is a very flat,subdued, dark image,upon which the highlight images are overlayed, and a single light painted sample section,on the right, which includes the flashlight source where I have the arrow pointing. I generally try to keep the light source hidden by my body or simply turned away, so the camera cannot see it. A snoot or shield on the light can help, and even if you see the light source, its irrelevant if that section is not being used.

The doctor will see you now!

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This light painting effort from my shoot today includes some of the tools doctors used in days gone by, and reminds me that I am happy to be living in modern times. This small grouping of medical items came to me courtesy of the local historical society, who I have been working closely with to highlight some of the pieces in their collection. The doctors bag is well-worn and one can only imagine the stories it has seen, while the smaller cases still hold pills that would have been prescribed at the turn of the century. The round device in the foreground was used to heat the clear glass domes which, when applied to the body would draw blood out through a vacuum effect,  curing the patient of whatever malady they had, or so they thought. The tiny metal device near the glasses would slice the skin with a series of very sharp blades. The two remaining items are what I believe are an early microscope, and a syringe.

The photograph of the doctor was added after my shoot, and was photographed in a locked display case. it was downsized from the larger photo, and I added it because I just felt its nice to see the people who made a difference in their communities and this doctor was one such person. He is Doctor John Franklin Mentzer, born in 1862, and it was said his service to the community could hardly be equaled. He was a Physician, a postmaster during President Benjamin Harrison’s term, Was director of a trolley company, and was a county treasurer as well. In 1904 and 1908, he was a county delegate to the republican national convention, which nominated Presidents Theodore Roosevelt and Howard Taft. He died in 1958 at the age of 96.

One important point for those wishing to try this type of image, is you absolutely cannot bump anything during your light painting, or you will not have registration between the various pieces. I bumped the microscope about a half hour into shooting the scene, and thankfully I had that half of the shot already captured. This technique takes a certain amount of dedication to your photography, but I thoroughly enjoy the creative process it entails.

Christmas Past and Present.

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Well obviously Christmas is past, but since I love all things related to Christmas, I asked permission to shoot the Christmas display at a local shop tonight. That shop, called Sheldon’s Gallery and Frame Shop, features fine art and a variety of wonderful gifts throughout the year, and the owner was gracious enough to grant me access to shoot what I consider a lovely scene. The bottom image was taken of the exterior of the neighboring building and the gallery a year or two ago, and is also quite impressive architecturally speaking. I remember the evening quite well as a snow emergency was declared, yet I decided I was going out shooting anyway. The town was absolutely silent in a blanket of white as I happily took in the still of a winter’s night.

Confectionary wonderland

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This sweet little scene is just one small portion of a grand gingerbread creation done by RLPS Architects in Lancaster,Pa. Every year near Christmas, the employees create a very unique gingerbread village and then they open their doors on select evenings for the community to enjoy. This year featured a beach theme,and was simply amazing.

Old Coffee Grinder

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This is another image that I used my light painting technique on. The shot took almost 2 hours to complete,with over 75 exposures being shot in a dark room. You must keep light from your flashlight off the light colored walls when using this technique, otherwise you will have highlights showing up all over the wall. The shadow on the wall further showcases the lovely old coffee grinder.

Christmas Memories

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This lovely scene includes the Christmas tree of Claire de Perrot, a very kind and caring lady, who granted access to both myself and good friend Morrie to allow us to photograph this Christmas tradition that goes back many years in her family. Each Christmas Eve, the tree is lit with real candles as Worshipers leave the service at the Moravian church, which can be seen through her picture window in the quaint town of Lititz,Pa.

Church Sanctuary at Christmas

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church interior.

The result of my two-hour light painting session at a local church. This location originally caught my eye because of its lovely curved wooden pews and carved end details, stained glass, and festive Christmas accents. Special thanks to Pastor Miller for granting me access to this lovely sanctuary.