Folks say they enjoy reading about my photography escapades so here is one that happened to me recently involving this scene that I took notice of earlier in the day. First thing is the end of this story includes the most unbelievable bit of timing I have ever had! This particular day I noticed this gorgeous tree by the church and knew I needed to be elevated because I was looking uphill quite a bit. I park, walk up to a house across the street that has a yard that would fit the bill. I rang the bell to ask if they would allow me to stand in their yard and no response from inside, which I assumed meant everyone is at work? No Problem, the work day ends and I head out to shoot this spot and of course I stop to inquire at the house because all the lights are now on.
I rang the doorbell once and because the TV seemed loud I gently knocked on the wooden door as well? No response whatsoever, so I move to plan b which is to put my tall tripod on my truck roof and get my elevation that way. I am busy across the street lighting things when I see a guy who appears to be writing down my license plate? After he does that he starts heading my way and the first words out of his mouth are “why have you been pounding on my door all day”? I said if you call ringing your doorbell twice, pounding, we might have a difference of opinion. I explained wanting to get permission to stand in the yard, and my tripod was on my roof in plain sight for him to see and he says “well I called the cops twice already tonight” I said “for what” and he goes off about his daughter was home and she was terrified!
I calmly explained all I wanted was permission and he cooled off and said I could now stand in his yard if I wanted. Like that was an option after all the overblown action he took. So I get home later that night and my daughter asks, were you taking pictures on some guys porch? She said the cops called to talk to me? So the next day comes, I check Facebook and notice there are several people contacting me on messenger? They say I need to check this Facebook page that has security cameras from around town because this guy posted me ringing his bell to see if anyone knows this guy that he thinks is breaking into his house?
Okay now I am ready to take some sort of action because this idiot is making claims that could affect my reputation. Recapping, I rang his doorbell twice, knocked and was holding my camera the second time I stopped, all of which he reviewed on his porch camera and he still does not have the common sense to process what he sees? Lucky for him he had the brains to take the video down in a timely fashion. It seems people are getting more ridiculous every day and logical thinking is non-existent!
If by chance you stayed along this far, here is the unbelievable timing part of this story. There was one lone white car parked to the right uphill from the one lamp post, and I think I was there almost an hour and a half shooting and waiting for the cars owner to hopefully show up and get it out of the shot. Couple neighbors walked by and said it did not look familiar to them so I waited another 10 minutes till I had an appointment. Are you ready for it? I walk across the street to my truck, not a soul in sight, I reach up to grab the tripod legs to get the camera down off the roof and within 5 seconds of me moving that tripod, I hear the car horn beep and the doors unlock ? It was a mailman who just got off of work and within 30 seconds that car was just a bad dream to me. All I could do was laugh how utterly unbelievable this unfolded. Oh and yes I did end up Photoshopping that car out of the shot!
We have been having more than our fair share of rain this year and thankfully I had a little glimmer of enthusiasm to go shoot something in the rain this week. To look at this scene, one would think it is along a quiet street but it’s not and I shot this at what was most likely the busiest time of the day. I had quite a few 2 to 8 second exposures that were ruined by cars whipping by, but there were a few rare moments when it was clear. If you look close you can see a road going between the two buildings and while I was over in that section lighting the large pine tree and the building, I was standing on the road and had to jump on the sidewalk more than once when a car would come turning off the main road in a hurry. One thing for photographers wanting to try shots like this is you must blast the subject with too much light if you want to get a decent reflection in the rainy street because even though the building is overexposed, the reflection is perfect. You simply shoot a separate exposure for the building with your flash dialed down. Also my camera was sitting just in front of my truck on a tripod with an umbrella over it and cars flying by three feet away so that had me a little worried.
This local pharmacy has been an anchor in the local business community for years and since I was doing a little photo series on shops in the town, I felt it was a definite choice for photographing. I went inside to see if they would like a shot done and I asked if I could add some garland above the one sign to give it a little more seasonal feel? They said certainly,and I set out to capture the top image on a very nice December evening. I really wanted to do a shot of the entrance as well because it has this neat old curved metal sign that been there since the 1930s and has eye-catching orange lighting behind it. The employees were all very helpful and I was told the sign could be set to stay illuminated all night so it was ready to shoot at dawn the next morning and they would also leave a few inside lights on as well to look like they were open, and as we were talking the pharmacist said yeah the weather looks like it will cooperate as well. I went to bed thinking how I was going to do the shot and when I woke to my alarm at 530am, it was pouring outside. I knew it was going to be a treat trying to get this in the pouring rain and the following describes the ordeal.
I brought an 8 ft ladder, and on the top of it I thread a steel pipe that goes up another 6 feet and then I mount my camera anywhere I want along the 6ft pipe. I recently bought some inexpensive plastic camera bags that are made specifically to protect your camera and lens while shooting in the rain and that is how I started the shoot but I noticed the image on my tablet had rain drops on it and realized the rain was blowing onto the front of my lens, so I now had to strap my umbrella to the steel post as well to keep the front dry.Now the thing about this whole angle you don’t realize, is that there is only ten feet from the pharmacy door to the street behind me and my ladder is literally sitting on the very edge of the curb as far as it can go. So my camera is about 12 feet off the ground with an umbrella strapped tight above it and on top of that I must climb the ladder,try to compose and focus at that height and not fall to the ground,all in the pouring rain. This was shot with my widest angle,which is a 17mm and it was just able to get the composition with the decorated street light and the sign. It is a minor miracle this even turned out because even with the umbrella,it was still getting rain on the lens occasionally which meant I had to climb the ladder,dry the lens off and pray that I did not shift anything while doing all of that.To my surprise all images were in register from the shoot.I love rain and the reflections it provides but I still have not come up with a foolproof rain shooting strategy. The sign also posed serious challenges because it picks up every reflection of light,color etc and the blue light from early morning was what I liked in the end. I tried lighting the letters with my flash but I found out chrome doesn’t play nice with flash and there were very few angles that the added flash looked decent on,so in the end I just waited till the ambient light matched the sign light and was as balanced as possible.
This is the same place I posted the other day,but this was shot at dusk for a more alive feel. To shoot this image I started with a base exposure before it got dark,then I started to light the various aspects of the shot with flash. This home used to be a neutral tone and the owner had asked me to try another shot since he had painted it this more intense hue.I finally decided to give it another go after I saw the carpet of leaves surrounding the place. At one point the lady of the house came out and I mentioned that turning some lights on would give it a much more inviting feel and much to my surprise she went and turned on every room light,which looked awesome.One complication I had to deal with was the doggone street lights came on halfway into the shoot and totally complicated things but I pulled it off despite that.
This is the only remaining structure left from the mountain springs resort built in 1848 and the rest was torn down several years ago ,with this part being restored. It sits on a steep hill and the large expanse of coneflowers made an impressive foreground so I made an attempt to capture the scene.The hill falls away fast,which necessitated me placing my tripod at maximum height and using my laptop to gets things lined up correctly. I started shooting about an hour before sunset and held in there till the sky started to light up with an amazing sunset. I almost wished I had gone with a wider shot because the sky was even more dazzling to the left of my composition but I was too locked in at this point. The shadows on the back wall of the porch are from my big flash,which I used to add detail under the roof line and I experimented with different angles till I got the shadow to fall on the wall between the windows,which shows the woodwork detail. Several presidents including Abraham Lincoln stayed in this building,so its kind of neat to capture it today.