Another image from a local balloon festival.Shot this from my truck roof because you could not even see the farm from road level because of the corn crop. Seven feet higher can make a huge difference. The balloon on the left was asked to go low over the farm by the chase crew after they recognized me from last year and knew to heed my request to get them a great shot. It’s amazing how they follow the same path,because the red balloon had been in the same spot as the nearest balloon minutes before.
This is the mausoleum where Methodist bishop Matthew Simpson is buried.Though based in Philadelphia during the Civil War, Methodist Bishop Matthew Simpson (1811-1884) traveled the country during that time giving speeches in support of the Union, emancipation and President Abraham Lincoln. Lincoln was thankful for the Bishop’s support.After Lincoln was assassinated he delivered the eulogy at his burial in Springfield, Illinois. At that time few people traveled as widely as Bishop Simpson did and his reports on public opinion were a valuable resource to the President. The mausoleum reminds me a little bit of a miniature church to some degree.
This image is part reality,part imagination. The barn and lamp-post were part of this scene yesterday and they were coated in a light dusting of the seasons first snow. I have always enjoyed the paintings of Thomas Kinkade for their dream like quality and I also like the effect of warmth in a cold setting,so I added some warm light to the scene to invite the viewer into the scene and maybe take a peak in the window of the wood shop to see what the craftsman might be making. The gentleman who owns this barn made the unique doors,which if I recall correctly have a passage from the Bible carved in them. I noticed there are icicle lights on the roof line,but unfortunately they were not lit,so Hopefully we will get more good snows and I will remember to return.
This is another flash light painting exercise where I attempted to bring out the detail in the statue. The sun was shining through the tree,but was basically backlighting everything. I shot the first exposure with the silhouetted statue and sun,and then the sun moved behind the leaves and I started with the flash portion of the shoot.The off camera flash is mounted on a six foot pole for better positioning but the statue is pretty high,so it’s not the perfect lighting scenario.
This is another example of experimenting with deer spotlights on a subject. Admittedly,I still need more practice to master this technique,but each try proves to be fun. The top photo is no spot light and the bottom is the result of about twenty separate twenty-second exposures at f11 using the spotlight. I used a wireless remote to fire my camera and also use a laptop to review what I did on each exposure to keep track what was lit already and as a reference if I need to shine the light at a different angle for better effect. Doing that also keeps you from touching the camera and creating registration problems. My spotlight has a diffuser and a snoot to keep the camera from being able to see the light source as I stand in the scene. The steamroller has the name Fordson on its radiator grill.