This old mill is now a private residence and the home to the left of the flowering trees is very tastefully decorated with numerous nice touches and places you just want to sit and enjoy a tall glass of lemonade. I will be sharing a shot soon including the house which is visually just perfect sitting beside the old mill. The flowering trees are what caught my eye and with an old victorian home and a mill on either side, it was too hard to resist.
Yet another very early morning shot with the full moon lighting up the landscape. A frozen pond reflects window light on its icy surface at this old mill.
This is yet another image of the mill as work goes on throughout the day. I was told the truck on the left is called a hammer mill, which as I understand things,mixes the various feed components on site for farmers. The sun came out briefly to illuminate the trucks while the grain silos remain in shade.
Have you ever seen so many cobwebs,you thought you were on the set of some science fiction thriller? Well this was the case as both myself and a fellow photographer spent an evening shooting in a local feed mill. I walked around looking for a shot and came across this corner of the mill that seemed lost in time. It’s no wonder spiders have laid claim to this place as flies were a real nuisance while we shot. I light painted this with an off camera flash trying to bring out the webs and dust and dirt as best I could. At least no mice ran by me on this visit. I have no idea what the machine does but it must not get used very often.
This is an old roller mill that I came across while wandering the back roads this past weekend. I started the afternoon off heading to play volleyball but I took my camera gear along in case no one showed. Well no one showed, so I cruised around and came across this locale. I was all excited as Amish buggies, open carts etc were all around the area. I pull in here and realize my tripod is 15 miles away at home.So I head home disgusted with myself and decide to return in the evening. Four hours later I come back and set my gear up on my truck roof to get a better view and I wait almost an hour till these three buggies come by. After they passed, I sat there till dark and not one more buggy came by. If I could somehow get up another 8 ft or so, you could see the entire covered bridge,which is just in sight on the edge of the right side. This evening was a real feast or famine night for shooting, and since I am not the most patient individual, it was driving me crazy missing other opportunities. The late evening light was skimming in nicely, so maybe the delay was worth it. the thumbnail shows my roof setup and laptop inside and it all depends how much height I need, and in this case just a little.
This image was taken at the feed mill that I had photographed and featured on my blog a few days ago. I met Brad the owner, and he graciously allowed both myself and fellow photographer Larry the chance to look around inside. After the mill shut down for the day, we broke out our gear and we each selected an area to light paint. Admittedly it has been a while since I gave this technique a try, so I struggled a bit as I worked to light the room with my spotlight. The mill is a real labyrinth of metal and wood, and left me wondering how such a place is designed. The inside also included numerous cats roaming about, which surprised me with all the machines at work, but after I had witnessed a cat catch a mouse three feet in front of me, it all became clear very quickly. The area I chose included the old scale with the two feed bags on it, along with another scale facing the opposite direction with the number 122 on it. The blue light is coming from window light that was shining in at dusk. We usually work in the dark, but time constraints had us shooting earlier.
This is the same mill I posted a few days ago,but this time I lit the scene with my spotlight at dusk. I was out shooting in the area and decided at the last-minute to give the location a test try with the light. My light was low on battery power, so I did not get as much use out of it as I had hoped, but it was a good chance to practice a bit.
This image was taken minutes after yesterday’s post, and shows the mill from the train tracks side. The sky was totally cloud covered and yet I was fortunate enough to be in the right spot when a few rays broke through to skim across the shot. lasted about a minute, which was all I needed. As a side note, I knew this was an active line, but did not realize the train comes through doing about 60 mph plus. I no sooner had picked up my tripod and walked across the tracks when I heard a whistle up toward the trees to the left and when that train came through it was hauling. I thought to myself how unnerving it must be to drive that thing and see something or someone on the tracks ahead and know you are helpless to stop it in time.
I photographed this local feed mill this past weekend as storm clouds were on the increase. The soft light was just gorgeous on the old facility and the numerous shapes and lines throughout the scene made for a dynamic shot.
Todays image is one of several from my shoot at the machine shop yesterday. This place has so much history and character in every nook and cranny, that I become overwhelmed at times trying to decide which subject to shoot. I chose what I believe to be a drill press for a shot at dusk because it was positioned right at the windows where the sunset colored the evening sky outside. The patina of oil,dirt,metal shavings and everything else provided the perfect canvas to light paint. Lee who owns the shop graciously allowed myself and a friend several hours of uninterrupted shooting, which was really appreciated. I picked the title because we started shooting around 4pm and finished at 9pm, and a worker from the day shift was still running a mill in the back room to catch up on several jobs for clients as we were heading home to bed. You couldn’t ask for a more accommodating crew than the guys who help us shoot there.
Nothing is really invincible, but this machine found in an old mill seems to be very well-built and has the name invincible on its front. A sticker on the beam says invincible cleaners, but I have no clue what it did in the mill operation. Evening light was pouring in the windows while I was lighting the gears and barrel, so we have a cold verses warm effect.This was shot in the same place as yesterdays post, and thanks to no heat inside, temperatures were near freezing, which was actually colder than it was outside. Perhaps that comes from the stream that runs under a portion of the building.
This photograph is one in a series I am doing at an old mill that is literally frozen in time. I picked the title because the man who ran this mill had very conservative beliefs, and knew the value of working hard and saving money. He was so diligent with his finances that he established a foundation that still oversees this mill for tourists to visit to this very day. What you are looking at in this photograph is the mill office/post office that served residents in the small surrounding community for decades. I placed a pair of shoes at the chair to allow the viewer to imagine the man who once sat there, wonder at the tales he could tell, and appreciate how simply he lived, and most likely more fulfilled than the majority of people today. Picture yourself sitting down after a hard day in the mill, snow blowing outside and a warm fire in the stove, as you turn on the old radio, you sip some tea, and rock yourself to sleep by lantern light. A little imagination can take you to great places.
This photograph features the old equipment in a water powered grain mill. This amazing set of machines are still functional, and start right up with the twist of a shaft, which runs two stories to the basement. In the basement there is a huge tank that holds water in reserve, and at a moments notice, the entire operation is ready to go.The date on the machines says patent-1893, and the craftsmanship and build quality is characteristic of an era were necessity was the mother of invention, This is another example of painting with light, and the photography session lasted almost 2 hours and the merging of all the pieces took about 3 hours, but I go in circles sometimes trying to decide which effect I want to pick, so that complicates things a bit. As I have warned in past posts, never bump anything in your shot while doing this, and as usual, I kicked the shovel halfway through, but luckily I had it captured already. Try and find something built to these standards nowadays, and you will be looking a while or digging pretty deep in the pocketbook. The two lower photos represent the base layer on the left, upon which the image is built and that image is a very flat,subdued, dark image,upon which the highlight images are overlayed, and a single light painted sample section,on the right, which includes the flashlight source where I have the arrow pointing. I generally try to keep the light source hidden by my body or simply turned away, so the camera cannot see it. A snoot or shield on the light can help, and even if you see the light source, its irrelevant if that section is not being used.
Donald Reese Photography 