Lancaster county has countless skilled craftsmen that still take pride in their work. From woodworkers who build custom furniture, to master leather craftsmen who supply the local community with leather goods, to those who work with various metal products,a rich heritage of doing things by hand still exists today. I recently was in search of a piece of copper for a project and a friend directed me to a small shop he knew of out in the countryside. I pulled in the driveway of the address I was given and the small building in front of me gave no hint of what I was about to see. As I walked in the dark unlit interior, I was immediately drawn to a beautiful copper train that was being built one piece at a time for a customer. The level of detail was amazing and spoke to the skill of the metalsmith who was building it. After a brief conversation, I decided to ask if he would consider allowing me to come back one evening and photograph it? The answer was sure,but he told me the train was being picked up that night and an immediate feeling of missing a chance to record something special came over me. He did tell me he was making another two trains for this customer and maybe in the future,I could try a shot? We got each others phone numbers and I headed off thinking about the missed opportunity, but to my amazement, the phone rang that evening and he told me it would be here for another day, and if I wanted to come back,he would be there all evening. I immediately said yes and gathered my gear to head over. All the way there, I worried I was not going to come up with a way to capture the train because it is actually a weathervane and has a tube and support attached and it does not just sit on a table. The owner was very patient with me and was more than happy to move things around to get the right setup for the shot. My final composition shown above included the recently finished copper train, with the very first copper train that has been treated with a patina to give it an aged look in the background. I wish I could recognize the man who built this train, but in the interest of privacy ,all you need to know is that he is just one of Lancaster counties many skilled craftsmen.There is no electricity here or fancy tools, just talent and hard work and I was certainly impressed.
Captured this Amish youth heading down the road on a tractor and upon closer examination,you can see he is hauling his transportation with him on the back. The two-wheeled scooter is the transportation of choice for Amish youth,as bikes are frowned upon. Last year I spoke to an Amish guy who I noticed coming up a hill at a rather fast pace,and it puzzled me how he was doing it? Turns out he had an electric motor added and it was all hidden on the frame. It intrigued me enough to think about buying one since he said it ran about $400 for everything. Well in the year since he got his,price went up to near a $1000 so I will stick with the bike for now.
This digger could take a serious bite out of almost anything it dug its teeth into. I lit this in overcast conditions with a flash and the bucket alone was lit with one series of eight flashes on multiple exposure on my camera. I set the shutter speed to the highest allowable on my camera at a 250th of a second and set the camera to record 8 exposures on one frame. Eight shots were just on the edge of possibilities because each ambient exposure built up on the frame as I shot,so you have to watch for overexposure when you do that many on one frame. My usual technique is to overlay separate frames,but multiple exposure allows flash to build up on the frame with each blast,so you effectively can make your weak flash more powerful.I wish they used this thing to give you a scoop of mulch for landscaping,although my trailer tires would explode when it dumped the bucket.
This little scene features the porch at the Lititz historical society. The antique mail cart sits on the porch during the holiday season and society members fill it with wrapped packages and greens. I added multiple flash pops to various area to highlight things and the Moravian star was lit by flash with a snoot on it to avoid shadows on the ceiling.It might look better if it was actually turned on,but its the best I could do at five thirty in the morning. I liked the warm interior and the cool blue of dawn. I have no idea how old this cart is,but it must go way back in time.
This is another example of experimenting with deer spotlights on a subject. Admittedly,I still need more practice to master this technique,but each try proves to be fun. The top photo is no spot light and the bottom is the result of about twenty separate twenty-second exposures at f11 using the spotlight. I used a wireless remote to fire my camera and also use a laptop to review what I did on each exposure to keep track what was lit already and as a reference if I need to shine the light at a different angle for better effect. Doing that also keeps you from touching the camera and creating registration problems. My spotlight has a diffuser and a snoot to keep the camera from being able to see the light source as I stand in the scene. The steamroller has the name Fordson on its radiator grill.
Once again I was trying my light painting technique in the old feed mill. This time I was photographing what I think is called a pelletizer, which makes feed pellets and the two images show the machine in a closed, and then open position.The bottom photo shows the machines main part,which has a series of holes that form the hardened pellets. The room was very warm so I assume some heat process is involved as well. To do the two images,I first completed the scene with it closed and then simply opened the door for the next part of the shoot. Then I brought that image on top of the first and blended them.
Have you ever seen so many cobwebs,you thought you were on the set of some science fiction thriller? Well this was the case as both myself and a fellow photographer spent an evening shooting in a local feed mill. I walked around looking for a shot and came across this corner of the mill that seemed lost in time. It’s no wonder spiders have laid claim to this place as flies were a real nuisance while we shot. I light painted this with an off camera flash trying to bring out the webs and dust and dirt as best I could. At least no mice ran by me on this visit. I have no idea what the machine does but it must not get used very often.
Machines from the past fascinate me, and these old steam-powered contraptions are no exception. Rough and Tumble located in scenic Lancaster county held their 64th annual threshermans reunion last week, and the event included all kinds of steam,gas and kerosene powered machines. This old steam roller with its massive iron wheels was one of many unique pieces I saw at this event.
I finally gave my steel wool spinner device a test run this past weekend, and it was more impressive than I expected. After a rainy friday and a quick shot from the garden hose before I did it, the yard was ready to handle the flaming steel wool. To accomplish this effect, I set up my tripod and waited till the ambient light dropped and my exposure was around 8 to 15 seconds at f11.At that point, I put on long pants,a long sleeve shirt,a hat, a face shield,and gloves and grabbed the steel wool device. This is nothing more than a steel kitchen whisk with steel wool stuffed inside, connected to a steel cable on a handle and then it gets lit and rapidly spun. You light the steel wool by touching a 9-volt battery to it and then spin it quickly to give the burning steel wool as much oxygen as possible.
The top image features me spinning the contraption all around me and you can see the steel wool even bounced on the grass a bit,and the bottom image was spun in just a circle,but the bright area shooting up to the right is actually a piece of steel wool that broke loose and landed in our tree.If you are brave enough to try this, do it in a safe setting,keep water nearby and protect yourself and camera.There was a fellow on the internet that had a flaming ember land on his eighteen hundred-dollar lens and fuse fast to the front element,which would not be good. Each ball of steel wool burns about 30-60 seconds and then you load a new piece. Also the real fine stuff works better than coarse steel wool.
I went out in search of lightning photos the other night, and even though the skies looked pretty threatening, no lightning ever materialized. As I headed home I passed this piece of farm equipment sitting at a local business and decided to light paint it with a flash. I named the photo ”run for the hills” because between the sky ,and the front end of this contraption, I thought it looked pretty menacing. Its called a forage harvester,and I think it does corn but it may have other uses for all I know.
This image was taken at the feed mill that I had photographed and featured on my blog a few days ago. I met Brad the owner, and he graciously allowed both myself and fellow photographer Larry the chance to look around inside. After the mill shut down for the day, we broke out our gear and we each selected an area to light paint. Admittedly it has been a while since I gave this technique a try, so I struggled a bit as I worked to light the room with my spotlight. The mill is a real labyrinth of metal and wood, and left me wondering how such a place is designed. The inside also included numerous cats roaming about, which surprised me with all the machines at work, but after I had witnessed a cat catch a mouse three feet in front of me, it all became clear very quickly. The area I chose included the old scale with the two feed bags on it, along with another scale facing the opposite direction with the number 122 on it. The blue light is coming from window light that was shining in at dusk. We usually work in the dark, but time constraints had us shooting earlier.
Pardon my brevity with today’s post, but I was hammered with two migraines in one day today, which is very rare for me, so as I type this, I pretty much feel like this machine is sitting on my head. Sometimes when the weather changes, These things can hit me for whatever reason. So hopefully I did not post this shot before, and my apologies if I did.
I usually go with one image a day, but I thought Since these two shots are of the same subject, yet look totally different, it might be interesting to see color vs black and white, First, let me say the color shot actually makes no sense to the trained eye of a machinist, but to a layman like myself, it looked perfect. The set of bits on the right were sitting a short distance from this machine, so I decided they must be used on that machine and I proceeded to place them there. I was pretty far into the shot when the owner walked by, and told me they have no relation to each other, but I was already committed at that point. The black and white was the first image I shot using old oil cans, but for some reason it did not work in color, so I abandoned the cans for the bits. Either way, I like both shots almost equally,but I really like the textures in the black and white.
Today I visited a local florist that is planning to open an antique shop in the near future, and he graciously allowed me to look through his collection for possible photo subjects. I saw the old scale first and then selected several items to add some balance and color to the shot. I have no idea where some of my ideas come from, but I decided fruit would look neat on the scale, so I zipped over to a nearby produce stand and picked up a selection of limes,lemons and apples. For budding photographers taking notes, I light painted this shot using my small flashlight, and because the room had numerous windows, I used a 3 stop neutral density filter on the lens, which allowed me to shoot exposures around 8 seconds each. The window directly behind the shot was covered by black fabric till the very end, and then the exposure for the window portion was simply painted in on lighten mode in layers in Photoshop. Thanks to Kerry for giving me free reign in the shop.
Many of you may have deduced by now that I have been thoroughly enjoying my visits to the old machine shop, and each trip is an opportunity to practice my light painting techniques in the hopes of getting better. This past trip had me trying to come up with some earth shattering image, which wasted an hour of time till I finally decided to shoot this detail shot of end mills and tool holders that were on a shelf. I added the cool oil can and rustic old cutting oil can to spice up the shot. I settled on the tighter shot because I wanted my shots to have some diversity to them. The background is just a wood panel that was part of the shelf unit, and I lit it with a flashlight.
I spent the morning sunday shooting with my friend larry who is light painting master, and we each did our best to do something unique at our local historical society. I chose an old sewing machine, and friends Margi and Dan loaned me several antique sewing items to help bring the shot to life. I used small pen flashlights and my big spotlight to accent the pieces, and the shot took me nearly an hour and a half to do. The best I could figure was this sewing machine is one made by the man who got the first patent for a lock stitch design in 1846, and his name was Elias Howe. Mr Howe had to defend his patent in court from 1849-1854, because he found that Isaac Singer, and Walter Hunt had been selling a facsimile of his machine and lockstitch design. He eventually won the case and won considerable royalties from singer. I can imagine the many hands that worked diligently on this machine in the late 1800s and early 1900s, creating garments and necessities for the family. My grandmother was a great quilter and I remember her working countless hours on her old sewing machine doing patches,and a few times over the years she would relay the stories of how a needle had gone straight through her finger and nail while sewing.
This is another machine shop undertaking, and once again the layers of color and texture drew me to photograph it. The best I could make out was that it is a turret lathe, but don’t hold me to that. I checked in the folder I save my files in and I had shot eleven separate files to light this as shown. Many times I will shoot triple that amount so I don’t miss any piece of the puzzle. As I have mentioned before, a sturdy tripod, a basic laptop and a few flashlights are all you need.
This is the second image from the machine shop that I visited last week. It was fairly light inside the shop,so exposures could not be any longer than 8 seconds, which complicates the whole light painting process, unless of course you are using flash, which I find slightly harder to control in these situations. The reason I prefer flashlights is because I can do a quick test run at certain angles to see what looks the best before tripping the shutter. The various tools used in this shop are quite impressive, and personally I have never seen drill bits on such a heavy-duty scale. The rustic old cart full of tools was just perfect for light painting,and the lathe provided a nice backdrop for the cart.
One more variation featuring the old Remington typewriter. A good friend volunteers at a local computer recycling center, so I asked him to borrow a few old keyboards to use as a backdrop for the typewriter. I had the idea to contrast the old technology with the current. Obviously things were made a little better in those days. I basically skimmed the flashlight across the keyboards to accent the keys.
I am always on the lookout for things that appeal to me as possible photo subjects and I recently made contact with a gentleman that owns a local machine shop. I had stopped by one day for another purpose and while I was standing in the office, I noticed some old machine shop equipment in the back. Everything had a rich patina of dust, grease, and everything in between from years of jobs being performed. These machines go back many decades, are built like a tank, and seem almost indestructible, to me anyway. Everywhere you look, there seems to be endless photo possibilities for those willing to look. You can just feel the history within the shop as your eye moves from machine to machine, and being allowed to photograph there is something I am very grateful for.
The owner not only allowed me and my friend to photograph there, but he also trusted me enough to let me shoot unattended the very first night I was there. This is something that I am very grateful for and do not take for granted. Being all alone in the shop gave me the opportunity to really look for shots that I thought might work with my light painting techniques. For those who read this and enjoy photography, I want to say that I always try to make prints and let the owners use my images as they need in exchange for their generosity. Having the chance to create new images is very important to me, and I am not sure why, but I seem to have a real drive to be creative, even if I am the only person to ever see the work. So in closing, I suggest to always ask if you see something unique that you want to shoot, because you might be pleasantly surprised, and always return the favor in appreciation for someone allowing you into their domain.
I do not know anything about this particular machine, other than it being a heavy-duty grinder. Keep a look out for more great machines from this shop in the future. Again, a special thanks to Lee and his helpful employee who assisted as well.
Every day I struggle over what photo I will post and what I might say that will be interesting enough that someone will actually read it. I recently purchased this old typewriter, a Remington model seven from 1897 for 3 dollars at an auction. I picked it up with the sole purpose of photographing it, and decided the old speed graphic camera from 1947 would look okay in the shot as well. The old dresser is sitting in our basement and I threw the flower arrangement in there to soften things a bit. I lit the items once again with flashlights and am fairly happy with my attempt. I am always impressed with the quality and design that things from the past seem to have, and while I would not want to work with this camera or typewriter, they are really cool to look at. The idea behind my composition was one of what tools a reporter from the past might have used.I did this shot sunday morning and it took maybe two hours start to finish. The following are a few quotes about writing, which I am terrible at, but I enjoy trying anyway.
You write to communicate to the hearts and minds of others what’s burning inside you. And we edit to let the fire show through the smoke. ~Arthur Polotnik
Words – so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them. ~Nathaniel Hawthorne
How vain it is to sit down to write when you have not stood up to live. ~Henry David Thoreau, Journal, 19 August 1851
This last quote is so true and hopefully those who are kind enough to follow me here, will see that I try to live an active life, and realize that my photographs are an extension of who I am. Thanks to everyone who hits the like button on my site, but to be honest, I am not sure exactly how some of these site features work, or how many of you found me to begin with? I don’t even show up on any of the photo pages, which frustrates me, but not sure how to change that.
Nothing is really invincible, but this machine found in an old mill seems to be very well-built and has the name invincible on its front. A sticker on the beam says invincible cleaners, but I have no clue what it did in the mill operation. Evening light was pouring in the windows while I was lighting the gears and barrel, so we have a cold verses warm effect.This was shot in the same place as yesterdays post, and thanks to no heat inside, temperatures were near freezing, which was actually colder than it was outside. Perhaps that comes from the stream that runs under a portion of the building.
Todays image is another from my series taken at an old mill, and features a room full of old wooden barrels, along with a variety of tools used by the mill in its heyday. The round stone, serving as a table in the foreground weighs 2000 lb and is not going to move anytime soon. The image was shot using deer spotlights that I have placed diffusion on to soften the light output, and each exposure was approximately 30 seconds in an almost totally dark room. The windows were covered with black fabric to block the outside light from having any influence on my light painting, and were uncovered at the end to get the window detail. The lanterns were lit only by my spotlights to give a glowing effect. Because the spotlights are so intense, I use a technique where I pulse the trigger on briefly ,then off and keep moving across the scene till the shutter closes. A half second worth of spotlight is all it takes to light an object at f11 or f16 at iso 200. I also use a fairly inexpensive wireless remote to fire the camera from across the room, so I never touch the camera once I get started.
I chose the title of todays post after my wife and I went out to eat on friday. The restaurant walls had several quotes stenciled on them, and one by Albert Einstein caught my attention. The full quote reads like this, “I am enough of an artist to draw freely upon my own imagination.Imagination is more important than knowledge.Knowledge is limited.Imagination encircles the world”. As an artist, I am constantly looking for inspiration all around me, whether its music, photographs, art, or in this case an inspirational idea, one can enhance their own artistic expression by unleashing their imagination.
Whenever I read a quote like this, I think to myself, I sure wish I could say something so profound, yet so simple, but you can’t have it all I guess. On the topic of creativity, I have always been intrigued by how some people are seemingly born with the gift of creativity, others seem to learn it along the way, and others do not have an artistic bone in their body. Personally I don’t like to even say I am artistically blessed, because I am a small blip in the creative world, but I do feel I have been given a gift from God to capture the beauty around me. I know this because every time I see a gorgeous sunset or scene, I can feel something inside me stir, and am so grateful to have that feeling.
My image today features old locks and was made possible by the Burkholder family who have an antique business. They allowed me into their home to do two shots I had envisioned in my mind. One of the two images was this old group of keys and locks, and I wanted to photograph them in a way to accent their aged quality. I decided to use some old barn wood I had, and put some old lanterns in there as well. I light painted the scene to bring out the textures and shapes, and to make the lanterns glow,I held a lit match near the wick to simulate the glow, simply because these old antiques could not be fired up. The door in the photo is from an old prison and provided the background to complement my shot.
So in conclusion, I wholeheartedly believe that imagination is more important than knowledge, and I encourage anyone that follows my blog to imagine the possibilities you have each day to photograph what you love, and do it in a way that pushes your photos to the next level, and as you do so, may you find great satisfaction in producing something you are proud to put your name to.