Another highly detailed confectionary creation from the Dickens village gingerbread. The main establishment is titled hark the Harrods and one can look at all the details in amazement at the amount of work the architectural firm puts into this Christmas creation. The paper spirals near the top actually spin creating the effect of smoke rising from the chimneys.
This scene is another from the recent mansion Christmas event. This display was done by a local group of ladies involved with the Red Hat Society,and by the looks of their display, having fun is high on their list.
This image of a store display in the small town of Lititz Pa is just one more challenge I set for myself taking photos. I love the various scenes you see around Christmas time in this town and window decorating contests keep shop owners busy at this time of year. The challenge was to capture something half decent,while having to do everything from the sidewalk outside and while the store was closed and dark. Reflections everywhere on the glass from street lamps,traffic and other businesses was my first challenge and trying to light things was my second challenge.
The clocks were lit by flash at various angles through the windows,all the while blocking reflections bouncing toward the camera. A wide-angle used up close allowed me to compose the shot and achieve some balance and allowed me to see several clocks in the store.This was shot at five thirty in the morning so I had time to experiment without bothering anyone.The one thing I wish were different is the dark area in the bottom middle. There were various items piled on the table,which did not look good lit,so I left them in shadow.
Every year a local architectural firm takes a week out of their busy schedule to create a unique gingerbread village of some sort. The display is always incredible,with each employee vying to claim first place. The edible display is always full of humor,intricate design and detail and covers an area approximately ten feet by eight feet.It has scenes inside the buildings,lights, and they are generous enough to allow the public to come view it on certain nights. My good friend Larry is the official photographer for this project and he is gracious enough to allow me to shoot on the night he does his shooting. This little vignette from one corner features a bakery,complete with hot cross buns in the window,queen victorias secret on the corner,baskets of scones and baguettes out front and a sweet old lady out front offering cookies. It has become a holiday treat I look forward to every year.Another combination of flashlight,spotlight,available light.
Just a pair of reindeer sitting on a table in our home. I photographed the pair in the dark using a pen flashlight. Basically just felt like shooting something and figured this would make a good practice subject.
This is yet another display from the historic mansion Christmas event. This display was created by a local bakery and the tree is adorned in fresh gingerbread ornaments that include snowflakes,trees and ginger bread men. There appeared to be other food items on the tree but I was not exactly sure what everything was.The left window sill features gingerbread houses and various other items round out the composition.The first exposure was done capturing the exterior light and then everything was lit by a hand-held deer spotlight in a very dark room. When you do this technique,you must be careful not to kick or bump anything as you light things or you get registration problems.
This was the only shot I did this year alone in the mansion,which can be a little spooky in the dark as you hear every sound in the old structure. Thankfully the strong smell of gingerbread filled the room and kept my mind from being distracted by noises. If only I would have had a big glass of milk,I might have been able to sample the bakery delights.
This image was one I did last night in my living room. I was in the mood to shoot something,so after noticing our exterior Christmas lights were shining on the curtains,I decided to light paint one of my wife’s flower arrangements. First,let me say we do not have two lamps sitting at our front window,but I decided to bring the second one in for balance. My wife recently bought the lamps from a friend who was moving and they fit nicely in our decor. Normally we like traditional white Christmas lights,but for some reason I decided some blue lights on our bushes would be interesting,but I am not really sold on them yet,but they add a cool look to this shot.
My first exposure was for the window light,which was ten seconds and during that time I turned the lamps on briefly for about 2 seconds. After that I used my spotlight to selectively light the goose,flowers and curtains and the hanging angel ornament.
This is another Christmas display in one of the rooms at the old mansion I mentioned the other day. This display was done by the folks from the Hans Herr House,which is the oldest homestead in Lancaster County and is a registered historic landmark. It is a more natural setting,with no lights on the tree,and basic food related items that harken back to a simpler time. I lit the entire scene with a small hand-held flash with a snoot to direct the light in very small areas. The figure is very life-like kneeling at the tree and helps balance out the composition.
The Christmas season is one of my favorite times of year,so I look forward to any opportunity that comes along to photograph Christmas related subjects.Homes adorned in festive decor always draw me in for a closer look and memories of times with family gathered together on a cold winters night leave lasting impressions. Wether it is enjoying grandmas cookies or seeing relatives again,Christmas is hard to beat for me. A simple photo like this one can trigger cherished memories from the past and reliving those glory days in one’s mind can be very special.
The scene above is done using a tripod and multiple exposures utilizing my spotlight. It is one of several rooms decorated in an old mansion,which allows visitors to come and enjoy the decorations which are done by volunteers from various groups and individuals in the community and runs for two weekends in early December.The organizers are gracious enough to give me a key and let me come in to shoot anything that catches my eye.This was shot this past saturday long before the sun rose,so we did not have to contend with light shining in the windows. More scenes will come as I work on them. My friend Larry has a shot on his blog from another room. He is listed on my artists I admire section at Lefeverphoto. He chose an extremely tough room and did a stellar job.
This figure kneels at the grave of someone named Pidgeon,who is buried in this magnificent Victorian era cemetery that is full of highly detailed statuary.The only info I could find was that the monument cost $2,350 dollars and shipped in october of 1898. It mentions eight stone cutters,a polisher,a statue cutter,and letter cutter. I shot this in infrared on a sunny day,which turns the foliage a dreamy white. I lit the statue shadow areas to show a bit more detail.
This image is part reality,part imagination. The barn and lamp-post were part of this scene yesterday and they were coated in a light dusting of the seasons first snow. I have always enjoyed the paintings of Thomas Kinkade for their dream like quality and I also like the effect of warmth in a cold setting,so I added some warm light to the scene to invite the viewer into the scene and maybe take a peak in the window of the wood shop to see what the craftsman might be making. The gentleman who owns this barn made the unique doors,which if I recall correctly have a passage from the Bible carved in them. I noticed there are icicle lights on the roof line,but unfortunately they were not lit,so Hopefully we will get more good snows and I will remember to return.
This is another flash light painting exercise where I attempted to bring out the detail in the statue. The sun was shining through the tree,but was basically backlighting everything. I shot the first exposure with the silhouetted statue and sun,and then the sun moved behind the leaves and I started with the flash portion of the shoot.The off camera flash is mounted on a six foot pole for better positioning but the statue is pretty high,so it’s not the perfect lighting scenario.
This is another example of experimenting with deer spotlights on a subject. Admittedly,I still need more practice to master this technique,but each try proves to be fun. The top photo is no spot light and the bottom is the result of about twenty separate twenty-second exposures at f11 using the spotlight. I used a wireless remote to fire my camera and also use a laptop to review what I did on each exposure to keep track what was lit already and as a reference if I need to shine the light at a different angle for better effect. Doing that also keeps you from touching the camera and creating registration problems. My spotlight has a diffuser and a snoot to keep the camera from being able to see the light source as I stand in the scene. The steamroller has the name Fordson on its radiator grill.
This is another example of adding light to a scene for a different look.The bottom photo is the original and the top is after adding multiple flash pops. I had to anchor the tripod in the creek solidly and then move around with hip waders on while I lit all the areas with a small flash unit on a pole. It’s not perfect but it was raining so I had to rush a bit.I used a wireless remote to fire the camera and use radio popper wireless flash transmitters to fire the flash. I enjoy trying to create something from scratch and encourage others to try new effects.
This pair of images exemplifies what you can do with a small flash,a tripod and a little time. The top image is the result of about 10 different flash pops on separate exposures,all done at various angles to light the subject and bring out the texture. The bottom image is no flash added. This technique would be considered painting with light,which is essentially using a flash like a brush to bring your subject to life . I definitely prefer the top image of the two,because I feel it shows the sculptors work in a way that showcases his talent.Having wireless flash and remote camera firing is a must with this technique so you can move around your subject and operate your gear at a distance.
This old wagon has been sitting by this tree for as long as I can remember,so I finally decided to stop and ask if I can photograph it before it disintegrates to nothing.The ivy growing on the wheel caught my eye initially, so I broke out my spotlight to try a little light painting. There were a lot of things to hide no matter which way I composed the shot,so it’s the best I could manage.
I decided to light paint this arrangement as the end of fall is rapidly approaching,and images of autumn will be getting more scarce by the minute. Spiders crawling on the house and fall leaves around the scene rounded out the composition.Shot this about a half hour before sunrise,and used about 10 separate exposures to produce the end result.
This colorful store in Lake Placid caught my eye as I headed toward the countryside for sunrise shooting. It was raining at the time,so the walkway was shimmering in golden street light which added to the appeal. I added some flash to the store fronts for added kick and enjoyed the stillness of the lonely street.
This old Dodge has been part of a local fall roadside stand for several years and this year I finally set aside a night to photograph it. The truck bed is full of mums and a wide variety of colorful mums fill the foreground for customers to pick from. Let me explain how the shoot went.I arrived an hour before sunset so I could set up the tripod,fill in any empty holes with flowers if needed and start my laptop to fire the camera. First the laptop took 5 minutes to let me log on,then my camera control software would not recognize that my camera was attached. After no less than 6 restarts,the sun was now below the horizon and I was now ready to drive over my laptop.
Next the sky lit up in an area Not included in my frame,so I recomposed and shot the image. Now I was ready to give up on light painting the scene because of the laptop snafu,but I gave it one last try and unbelievably the thing works. So for the next hour I used my spotlight and a flash to light the truck, flowers,and scene and this was my result. Lighting a black truck is a real challenge but thanks to the generosity of the owners in allowing me to work the shot,I had enough time to pull it off.
This is a wall mural on the side of a small shop in a local town. I have no idea why this subject was painted but the artist is Wayne Fettro,who seems to do a lot of this type of work. I decided some light painting was in order to showcase the work.It took about 10 different flash pops to do everything.
I was bored the other night,so I grabbed the gear for a light painting attempt. I am still not that good at this,but I have fun trying. This is the result of about 30 different exposures with flash. Looked on the net and the cost is around $350,000 for this machine if anyone wants one.
Fall is the time when the annual street fair comes to town and this carousel was calling to me to do a little light painting. Both myself and my good friend headed out before sunrise to do some shooting at the empty fair and I settled on this particular horse with its cool color scheme as my subject. The first glitch I ran into was the street lights were pretty bright,so my longest exposure was around 8 seconds,which limited my flashlights ability to be the strongest light source. I went to plan b,which utilized flash with a snoot attached and that puts the light beam in a very narrow area across the subject. The flash was attached to an extendable pole to allow positioning it wherever I needed without standing on the carousel and having it move . This shot is the result of maybe 30 flashes throughout the scene,including the ice cream stand on the left. Carousels seems to have a magical quality that captivates the imagination and transports you to another world.
This is the interior of a local covered bridge that has been closed for over a year due to damage from tropical storm Lee last year. Not sure exactly what the problem is,but if you look at the exterior,the bridge has a slight bow to it. This bridge sits approximately eighteen feet above the creek,but last years flood was an extreme one that hopefully wont be seen for another hundred years.I used flash to light the interior in an attempt to show the intricate construction that goes into these beautiful structures. This bridge was built in 1867 at a whopping cost of $4,500 dollars. The arch design is credited to inventor Theodore burr,who lived around the early 1800s and was a cousin to Vice President Aaron Burr.
Ever feel tiny and insignificant? Well that’s probably how the driver of this compact car felt as he hugged the curb and kept a little distance between himself and this rolling monstrosity. This huge Combine was on the move through several local towns recently as it made it way to the next cornfield for more harvesting, and it raised eyebrows more than once as it dominated the road. I shot this through my car window after I was lucky enough to get directly behind it. The only thing better than this would have been a smart car beside it,which would really look ridiculous.
These old cars were part of a car club that was out touring the farm country,and I happened to spot them parked at a motel that is totally comprised of train cabooses. Each guest spends the night in his very own caboose, which come in every color under the sun. The evening was basically pouring rain,but after shooting under an umbrella for 30 minutes,the rain stopped and I began lighting the scene with flash. I thought the two modes of transportation complemented each other and harkened back to a simpler time.The yellow caboose is the Rio Grand.
Once again I was trying my light painting technique in the old feed mill. This time I was photographing what I think is called a pelletizer, which makes feed pellets and the two images show the machine in a closed, and then open position.The bottom photo shows the machines main part,which has a series of holes that form the hardened pellets. The room was very warm so I assume some heat process is involved as well. To do the two images,I first completed the scene with it closed and then simply opened the door for the next part of the shoot. Then I brought that image on top of the first and blended them.
Have you ever seen so many cobwebs,you thought you were on the set of some science fiction thriller? Well this was the case as both myself and a fellow photographer spent an evening shooting in a local feed mill. I walked around looking for a shot and came across this corner of the mill that seemed lost in time. It’s no wonder spiders have laid claim to this place as flies were a real nuisance while we shot. I light painted this with an off camera flash trying to bring out the webs and dust and dirt as best I could. At least no mice ran by me on this visit. I have no idea what the machine does but it must not get used very often.
Call me crazy, but this reminds me of some wild set of wheels from the movie Thunderdome. If you look closely in the middle underneath you can see a machine gun mounted,or maybe its just a muffler? Put some muscle-bound maniac on top going down the road at 100 mph and you have your own futuristic movie in the making. Shot this at the rough and tumble event, which showcased old farm equipment.
Here is another image from the thresher reunion at rough and tumble.For this image I mounted the camera on my tripod and shot several exposures utilizing a hand-held flash off camera. There is no way to get a result like this on one shot,unless you set up a bank of flashes to fire simultaneously. The exposure for the setting sun put everything in silhouette,so after capturing that piece of the puzzle, I moved to illuminating the tractor. As you can see from the smaller images, The starting shot with the sun was where I started and then lit each area as the example of lighting the front shows. A small detail worth mentioning is the use of a wireless remote to fire the camera from anywhere I need,so I can position the flash at the proper angle and then fire when ready.
Machines from the past fascinate me, and these old steam-powered contraptions are no exception. Rough and Tumble located in scenic Lancaster county held their 64th annual threshermans reunion last week, and the event included all kinds of steam,gas and kerosene powered machines. This old steam roller with its massive iron wheels was one of many unique pieces I saw at this event.
Donald Reese Photography 