I must admit I do not know exactly how this contraption works but I believe it is a threshing machine used to separate grains from the stalk. It was being demonstrated at the threshermans reunion this past week.I shot this with flash at dusk when everyone was watching other events. Old machinery can be quite amazing in its intricate design and construction.
Here is another image from the thresher reunion at rough and tumble.For this image I mounted the camera on my tripod and shot several exposures utilizing a hand-held flash off camera. There is no way to get a result like this on one shot,unless you set up a bank of flashes to fire simultaneously. The exposure for the setting sun put everything in silhouette,so after capturing that piece of the puzzle, I moved to illuminating the tractor. As you can see from the smaller images, The starting shot with the sun was where I started and then lit each area as the example of lighting the front shows. A small detail worth mentioning is the use of a wireless remote to fire the camera from anywhere I need,so I can position the flash at the proper angle and then fire when ready.
This is an antique Messinger Thresher that I photographed this evening using my light painting technique. The machine dates between 1912 and 1920 and was made in Tatamy, Pennsylvania. The image was taken at Burkholders Evergreen Farm in Denver, Pennsylvania, and the owners were gracious enough to give me access to photograph this beautiful old machine. Light painting can be a very involved process and sometimes I go in circles trying to decide which lighting effect to use from the myriad of shots I do on these images. Tools I incorporate into creating these shots are spotlights [with diffusion], regular flashlights, radio slaved flash, laptop, so I don’t move the tripod mounted camera at all, and a good dose of trial and error. Every subject has certain reflectivity and getting the angle correct between the light source and camera can be tricky sometimes. I think I incorporated about fifty-five different shots into the final result. I prefer to do more shots quicker at exposure times of 20-30 seconds each, instead of locking the shutter open for minutes at a time only to find out you overexposed half the image and just wasted 4 minutes for nothing. The older I get, the more I seem to appreciate the skill and craftsmanship that generations past put into their creations. If you click on my galleries, under Amish, you can look at the middle row, 5th one down and see the amish using a metal version of one of these machines.