A glimpse back in time

 

 

This photograph features the old equipment in a water powered grain mill. This amazing set of machines are still functional, and start right up with the twist of a shaft, which runs two stories to the basement. In the basement there is a huge tank that holds water in reserve, and at a moments notice, the entire operation is ready to go.The date on the machines says patent-1893, and the craftsmanship and build quality is characteristic of an era were necessity was the mother of invention,  This is another example of painting with light, and the photography session lasted almost 2 hours and the merging of all the pieces took about 3 hours, but I go in circles sometimes trying to decide which effect I want to pick, so that complicates things a bit. As I have warned in past posts, never bump anything in your shot while doing this, and as usual, I kicked the shovel halfway through, but luckily I had it captured already. Try and find something built to these standards nowadays, and you will be looking a while or digging pretty deep in the pocketbook. The two lower photos represent the base layer on the left, upon which the image is built and that image is a very flat,subdued, dark image,upon which the highlight images are overlayed, and a single light painted sample section,on the right, which includes the flashlight source where I have the arrow pointing. I generally try to keep the light source hidden by my body or simply turned away, so the camera cannot see it. A snoot or shield on the light can help, and even if you see the light source, its irrelevant if that section is not being used.

Old Time Thresher

This is an antique Messinger Thresher that I photographed this evening using my light painting technique. The machine dates between 1912 and 1920 and was made in Tatamy, Pennsylvania. The image was taken at Burkholders Evergreen Farm in Denver, Pennsylvania, and the owners were gracious enough to give me access to photograph this beautiful old machine. Light painting can be a very involved process and sometimes I  go in circles trying to decide which lighting effect to use from the myriad of shots I do on these images. Tools I incorporate into creating these shots are spotlights [with diffusion], regular flashlights, radio slaved flash, laptop, so I don’t move the tripod mounted camera at all, and a good dose of trial and error. Every subject has certain reflectivity and getting the angle correct between the light source and camera can be tricky sometimes. I think I incorporated about fifty-five different shots into the final result. I prefer to do more shots quicker at exposure times of 20-30 seconds each, instead of locking the shutter open for minutes at a time only to find out you overexposed half the image and just wasted 4 minutes for nothing. The older I get, the more I seem to appreciate the skill and craftsmanship that generations past put into their creations. If you click on my galleries, under Amish, you can look at the middle row, 5th one down and see the amish using a metal version of one of these machines.