Tag Archives: Wheel

The Road

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Todays posting features a road I have always thought had possibilities and last sunday I got several images in the span of fifteen minutes. I was out before dawn and got absolutely nothing over the course of three hours, so I decided I was going to just sit somewhere and see what I get. This road leads right by a farm so I set up my tripod real low at the edge of the field and a few minutes later I could hear the clip clop of buggies in the distance. The first two images had buggies turning from the left and the scooter boys coming in on the right from the T road. The last shot was taken from my truck roof after I changed my position and shows the farm better,but not the locals as well.

I pre-focused for all the shots and used a wireless remote when subjects reached a certain spot, and even though I did this, the horse in number two is fairly sharp,even though I was focused about where the scooter boys are. They were moving at a good clip,so they are not razor-sharp. Focal length was probably around 200mm or so.

Mechanized Marvels

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I was out looking for scenes of local farm activity and came across this crew doing custom harvesting. The farm owner graciously allowed me to wander around shooting various angles of these mechanized marvels that help make short work of what seems like daunting tasks at times. The crews are hired independently to come in and do the work, which saves the farmer having to buy extremely expensive equipment and is a win-win situation for everyone. The first shot was taken from the roof of my truck and was taken while the harvester off loaded his collecting bin into the waiting tractor,and the second shot is from ground level. Thanks to Groffdale custom harvesting for taking a few minutes to let me get the shots. While watching them work the fields, I saw numerous rabbits bolt, and amazingly enough a fox as well. I need to check my files,but I think he was out of the frame when He made a dash for it.

I did actually get the fox leaving the wheat field. He is a tiny speck on the photo,but here he is.

Arriving for Church

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This is a quick snapshot from the road of an Amish family arriving together for Church at a farm in their district. I do not know how they decide which farm they are going to each week, but they do alternate. Sometimes you see buggies headed in every direction on a sunday, so it’s all a mystery to me.

Synchronized Driving

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I photographed this crew this week harvesting what I think is wheat, but I could be way off. They have to work in close proximity to one another and their driving was spot on. This was taken with an 80-400 zoom and I could actually see them in the cab talking on two-way radios,most likely about the guy taking their photo. At one point,there were three tractors lined up to catch the crop, but they never went across the field with more than the two shown here.

Working the Fields

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Spring is rapidly advancing and local farmers are beginning to work the fields for the growing season. This farmer was kicking up a good bit of dust as the sun silhouetted him while he diligently went about the evening chores. Thankfully we got a decent amount of rain this weekend,so the dust situation should be better in the coming week.

Backroads Parking Garage

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The mud sale this weekend is always attended by countless county residents as well as a very strong showing by the local Amish community. Amish farms near the sale are selected to accommodate the numerous buggies and horses that need a spot to park while they attend the sale, and this farm is adjacent to the sale site along a side road. I shot this image from the side of the road and stood on a small trailer to a get a slightly higher perspective over the scene. This is only a small portion of the buggies at this farm, and the horses are kept in the field and barn throughout the day.

Amish Crescendo

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A few days ago I mentioned wanting to share an image of some Amish girls that I photographed at the mud sale, and todays post includes three of several from a series including these young ladies. Let me start by explaining how these images came to be and why I chose the title. I had been wandering the auction grounds looking for possible photos when I noticed that there were some Amish teens starting to play volleyball in the field adjoining the auction, so I walked in the general direction to check it out. Upon getting closer, I noticed guys playing volleyball and girls in multi colored dresses nearby watching the boys. As I stood there taking in the culture, I noticed four old tractors at the end of the field that were going to be auctioned later in the day. I thought to myself, it would be so cool if one or two of these Amish teens would venture over to the tractors and check them out.

Well no sooner did I think that, when I notice a small group of Amish girls get up and head in that general direction. I immediately began moving behind a row of parked cars in the direction of the tractors in the hopes of getting one good shot before they noticed me. I stayed below the radar for a few minutes watching to see where they were going and to my delight,it was the tractors. As the group reached the tractors, two by two,they paired up on their own tractor and began goofing around, and having a good time with each other. They acted like they were plowing, driving, racing and even made putt putt sounds at one point. I quickly snapped a shot, and thought to myself, this is one of those moments that I cherish as a photographer and was so grateful to be there in that moment.

I figured I would snap a few shots and they would stop doing what they were doing after they saw me, but to my surprise they seemed to be totally unfazed by my snapping photos, and it almost seemed as if they were savoring the moment in front of the camera in a way, because as each moment ticked by, the image got better and better as they moved together onto one tractor to make small talk and have fun. Granted I was using a 400mm at a distance, but we made eye contact multiple times as we each laughed to ourselves in the moment. Experiences like this are forever etched in my mind, and provide me with memories of a culture and lifestyle that I find very special and worthy of respect. One thing I have seen countless times with the Amish,is the fact that they are more satisfied with simplicity than we are with every gimmicky gadget that occupies our time. After I left the spot, I kept thinking I would have loved to talk with them, listened to their perspective on things and even offer them prints, but I realize we come from two different worlds and even though they tolerated me, that was only because we were in a public venue that day.

The crescendo part of my title is because I literally felt like the time with these girls kept building to a visual peak as I snapped away. The multi colored dresses, the pleasant atmosphere, and a great group of Amish friends, all came together is this brief moment in time, which I was lucky enough to be witness too. It is definitely one moment on my photographic journey that I will not soon forget.These images are totally un-choreographed and ones I could not have planned out any better if I was given the chance.

Color vs Black & White

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I usually go with one image a day, but I thought Since these two shots are of the same subject, yet look totally different, it might be interesting to see color vs black and white, First, let me say the color shot actually makes no sense to the trained eye of a machinist, but to a layman like myself, it looked perfect. The set of bits on the right were sitting a short distance from this machine, so I decided they must be used on that machine and I proceeded to place them there. I was pretty far into the shot when the owner walked by, and told me they have no relation to each other, but I was already committed at that point. The black and white was the first image I shot using old oil cans, but for some reason it did not work in color, so I abandoned the cans for the bits. Either way, I like both shots almost equally,but I really like the textures in the black and white.

The Turret Lathe

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This is another machine shop undertaking, and once again the layers of color and texture drew me to photograph it. The best I could make out was that it is a turret lathe, but don’t hold me to that. I checked in the folder I save my files in and I  had shot eleven separate files to light this as shown. Many times I will shoot triple that amount so I don’t miss any piece of the puzzle. As I have mentioned before, a sturdy tripod, a basic laptop and a few flashlights are all you need.

Working Late Tonight

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Todays image is one of several from my shoot at the machine shop yesterday. This place has so much history and character in every nook and cranny, that I become overwhelmed at times trying to decide which subject to shoot. I chose what I believe to be a drill press for a shot at dusk because it was positioned right at the windows where the sunset colored the evening sky outside. The patina of oil,dirt,metal shavings and everything else provided the perfect canvas to light paint. Lee who owns the shop graciously allowed myself and a friend several hours of uninterrupted shooting, which was really appreciated. I picked the title because we started shooting around 4pm and finished at 9pm, and a worker from the day shift was still running a mill in the back room to catch up on several jobs for clients as we were heading home to bed. You couldn’t ask for a more accommodating crew than the guys who help us shoot there.

Ready for Work

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This is the second image from the machine shop that I visited last week. It was fairly light inside the shop,so exposures could not be any longer than 8 seconds, which complicates the whole light painting process, unless of course you are using flash, which I find slightly harder to control in these situations. The reason I prefer flashlights is because I can do a quick test run at certain angles to see what looks the best before tripping the shutter. The various tools used in this shop are quite impressive, and personally I have never seen drill bits on such a heavy-duty scale. The rustic old cart full of tools was just perfect for light painting,and the lathe provided a nice backdrop for the cart.

The Daily Grind

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I am always on the lookout for things that appeal to me as possible photo subjects and I recently made contact with a gentleman that owns a local machine shop. I had stopped by one day for another purpose and while I was standing in the office, I noticed some old machine shop equipment in the back. Everything had a rich patina of dust, grease, and everything in between from years of jobs being performed. These machines go back many decades, are built like a tank, and seem almost indestructible, to me anyway. Everywhere you look, there seems to be endless photo possibilities for those willing to look. You can just feel the history within the shop as your eye moves from machine to machine, and being allowed to photograph there is something I am very grateful for.

The owner not only allowed me and my friend to photograph there, but he also trusted me enough to let me shoot unattended the very first night I was there. This is something that I am very grateful for and do not take for granted. Being all alone in the shop gave me the opportunity to really look for shots that I thought might work with my light painting techniques. For those who read this and enjoy photography, I want to say that I always try to make prints and let the owners use my images as they need in exchange for their generosity. Having the chance to create new images is very important to me, and I am not sure why, but I seem to have a real drive to be creative, even if I am the only person to ever see the work. So in closing, I suggest to always ask if you see something unique that you want to shoot, because you might be pleasantly surprised, and always return the favor in appreciation for someone allowing you into their domain.

I do not know anything about this particular machine, other than it being a heavy-duty grinder. Keep a look out for more great machines from this shop in the future. Again, a special thanks to Lee and his helpful employee who assisted as well.

The Barrel Room

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Todays image is another from my series taken at an old mill, and features a room full of old wooden barrels, along with a variety of tools used by the mill in its heyday. The round stone, serving as a table in the foreground weighs 2000 lb and is not going to move anytime soon. The image was shot using deer spotlights that I have placed diffusion on to soften the light output, and each exposure was approximately 30 seconds in an almost totally dark room. The windows were covered with black fabric to block the outside light from having any influence on my light painting, and were uncovered at the end to get the window detail. The lanterns were lit only by my spotlights to give a glowing effect. Because the spotlights are so intense, I use a technique where I pulse the trigger on briefly ,then off and keep moving across the scene till the shutter closes. A half second worth of spotlight is all it takes to light an object at f11 or f16 at iso 200. I also use a fairly inexpensive wireless remote to fire the camera from across the room, so I never touch the camera once I get started.

Old Time Thresher

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This is an antique Messinger Thresher that I photographed this evening using my light painting technique. The machine dates between 1912 and 1920 and was made in Tatamy, Pennsylvania. The image was taken at Burkholders Evergreen Farm in Denver, Pennsylvania, and the owners were gracious enough to give me access to photograph this beautiful old machine. Light painting can be a very involved process and sometimes I  go in circles trying to decide which lighting effect to use from the myriad of shots I do on these images. Tools I incorporate into creating these shots are spotlights [with diffusion], regular flashlights, radio slaved flash, laptop, so I don’t move the tripod mounted camera at all, and a good dose of trial and error. Every subject has certain reflectivity and getting the angle correct between the light source and camera can be tricky sometimes. I think I incorporated about fifty-five different shots into the final result. I prefer to do more shots quicker at exposure times of 20-30 seconds each, instead of locking the shutter open for minutes at a time only to find out you overexposed half the image and just wasted 4 minutes for nothing. The older I get, the more I seem to appreciate the skill and craftsmanship that generations past put into their creations. If you click on my galleries, under Amish, you can look at the middle row, 5th one down and see the amish using a metal version of one of these machines.